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| The Anycubic Photon D2 DLP Printer – lets give it a review. |
Hey guys. I’m very excited about this one so let’s jump straight in there – but to do that it’s best if you’ve already watched my D2 print test video from a few days back as I’ll be picking up on points and questions raised from there. So, in this happy little box, Anycubic have enclosed their new D2, and for me it was immediately obvious that it was bigger than the Ultra.
- Introduction
- Unbox
- DLP Overview
- Menu screen
- USB port
- Plate levelling
- Screen resolution
- Power & Longevity
- Price
- Prints
- Resin / Printer Settings
- Antialiasing
- My thoughts
It’s clear the
base has grown in size and that’s to
house the new projector that we’ll come
to later. It’s a handsome machine, very
plastic in its outward appearance, but I
like the look and I appreciate that Anycubic
need to keep costs down to bring us DLP
technology for home use, as typically DLPs
are industrial machines costing an easy 5 figures.
I was initially
shocked not to see a build plate, but it
turned out it was in the box of sundries
and required a little easy self-assembly. And other than that, it’s
pretty much the same printer we saw with
the Ultra. Sure the base is a little
taller, but the rest seems unchanged. The plate surface has the same
sure-grip checkered pattern we’ve come
to associate positively with Anycubic.
Just like the
outer case, the resin tray is plastic,
but don’t let that fool you. It’s plenty
strong enough for the job and the one on
the Ultra is still going strong for me. Thankfully the plastic ends at that
point and from the deck upwards we have
matt black, sturdy metal construction.
The Z upright
appears to hold the same simple-looking Arm and single linear rail that we saw on the Ultra. And why not. These are tried and tested
parts now that have proven stable and
accurate. The screen is, well, not a screen. It’s clear glass protecting a projector. If you
aren’t already aware, this is not a
typically LCD or LED powered resin printer.
Such
technologies are great and have powered
the home resin printer revolution to date, but they are limited and in many ways are
already peaking in their abilities. Look
at the Phrozen Mini 8K. Since its launch
back in late 2021, no one else has been
able to match it. Yes, there are other 8K printers, but none squeezing that 8K power into the same small
space and giving us the 22 microns or
better that Phrozen has.
Put simply, Phrozen
has set the bar higher than others are
comfortably able to jump. However, LCD technology gives us blurred pixels, as I’ve explained before, so how can we achieve even better print
quality. Well Anycubic have once again teamed up with Texas Instruments to give us DLP technology.
This uses a light projector and micro mirrors
to more perfectly focus light onto each
pixel, with no shadows or blurs. And
this technology has been way out of
price reach for most amateur users for
years now, but Anycubic have changed all that.
The resin tray
still slides into place, which is a little
disappointing. This can cause premature
scratching of the FEP, so fit this
gently with as much clearance as possible. The menu screen is still the
same tiny one we saw on the Ultra, and the User Interface is the same.
But I
suspect a little tinkering with the UI
has taken place as my meaty fingers
don’t seem to struggle like they used to
– but maybe I’ve just got used to it. I did grumble about the USB port on my
Ultra. I said it felt loose, and
apparently I wasn’t alone in this.
However, that’s not the case this time.
It’s a much firmer, positive fit. The power button though… yes it’s tiny, stupidly small in honesty, but it didn’t worry me on the Ultra. But maybe I have
a Friday-afternoon-special here as mine
feels weak.
Plate levelling
is the usual paper affair and even with
a slightly bigger plate this isn’t any
kind of difficulty. I am a bit bothered by the plate though, and I wouldn’t be me if I didn’t voice concern when I saw it. Anycubic
advertising assures us that everything
is bigger with the D2, and sure, I’m
finding that.
But this diagram
troubles me. My build plates don’t look
anywhere near the same size and shape as
they are on this diagram. However, maybe I had a Beta model with the
Ultra, or maybe even here with the D2. I
can’t actually find any official sizing
specs for either build plate, but if we
look at the slicer settings, we can get
accurate printing dimensions as fudging
these figures would screw up any prints.
Sure enough a
bit of maths shows us that Anycubic are
correct in saying a 62% print size
increase, so that’s reassuring. The screen resolution for the D2 is just 2K, and the xy resolution is 51 microns. Now I know on paper that makes this printer
appear to be on an equal footing with
the original Elegoo Mars, but trust me,
it’s a very different animal.
From personal
experience, I can confidently say that
this printer is at the very least on
equal terms with the Phrozen Mini 8K. Yes,
I know the apparent differences make no sense, but one is LCD technology and the other
is DLP.
You cannot
fairly compare using the same
terminology. It’s like asking a Tesla owner how many miles he gets to the gallon.
However, Anycubic have said in their releases
that the D2 performs in a similar manner
to 8K printers, and from what I’ve seen,
I can’t disagree with that.
When it comes to
actual performance, DLPs bring a lot to
the table, and the D2 is no exception. In use the D2 uses around 75% less electricity than a similar spec LCD printer, using just 15 watts of power. Not only that, the projector that drives the
DLP has tested to a lifespan of 20,000
hours, which is ten times more than the
2000 hours expected from a monochrome.
If you use your
printer regularly, these benefits
quickly add up significantly. The D2 is also pleasingly quiet in use, which will allow you to relax whilst
totalling up the savings on your
electricity bill. At the time of recording, I was told the D2 will be available for $699, which is – shock horror – the same price as the Phrozen Mini 8K.
There’s not a
Kickstarter associated with this
printer, which I know many of you will be
pleased to hear, and I’ll place a link in
the description to take you to the right place. Now we come to the real
issue – how does it print, and it
seems I’ve already created a little
controversy and confusion here.
So let’s clear
that up. But first, Anycubic sent me a bottle of DLP Craftsman Resin for use with the D2 and I’m impressed. I pretty much went with
the settings that Anycubic Workshop
suggested and they worked great for me,
but feel free to tinker as much as you
like.
Whilst I’d
like the colour just a couple of shades
darker, I’ve no complaints at all. All
round, it’s a nice resin. Now, if you saw my teaser video of the D2 prints the other day, and you really should - to understand what
follows - you’ll know I was amazed by
the print quality.
But judging from
the comments I’m receiving, many of you
are not quite grasping the message I’m
trying to convey. So let me try and help
by making it as clear as I can. In other words, if the print is in your hand, or on a table or shelf, you will NOT be seeing pixels.
Instead, you’ll
be marvelling at how much detail these
prints show. But, if you magnify the prints to a level that none of us can naturally see with the naked
eye, like I do in these videos, then you will see pixelation.
Look at this
Thors Hammer print I designed recently.
When you see the original concept up
close you get a real sense of how the
Celtic Knot pattern weaves in and out,
and when I look at this print I get that sense too. I’m thrilled by it actually. The clarity
is excellent.
But I get
nervous that you guys can’t see exactly
what I see, so I zoom in for you. At that
point many of you scream – yuk, look at
the layer lines. But actually, this is more likely the crispness of the pixels, which I
have rightly or wrongly termed
pixelation, meaning to see the pixels.
DLP printers
give us sharper pixel definition – and
that’s a great thing. Look at this amazing Skull Ring. The depth I’ve achieved in this print is better than ANY
print I’ve managed before. The detail is
exquisite. But close up, it looks like a
Minecraft build.
Well don’t worry
about that. This is merely demonstrating
once again how perfectly these DLP
printers print. To use another example, the chances are right now you’re using a viewing screen that will make
this image seem larger than life.
Well guess
what… your screen is made up of pixels,
thousands of them. But they’re so small
you can’t see them and you don’t worry
about boxy images. And it’s the same
with these DLP prints. There’s loads of
pixels in every print, and they’re
miniscule – so you can’t see them.
So, once again…
Pixelated. Not pixelated. You can’t see the pixelation in real life. All you can see is fantastic depth and detail. If you can hold one of these prints in your hand and claim to see
any pixelation, then Lois Lane is your
girlfriend.
Yes, there’s
voxel lines, but that comes with
printing in layers and every printer gives
us those. These can be caused by model
position, resin temperature, lift speed,
layer height, etc, and that’s way beyond
the scope of this video. However, Antialiasing
can help reduce these layer lines and
Anycubic tells us the D2 uses a Double Algorithm.
So, I dropped
down the layer height to just 0.02 and
printed without AA. Then I repeated the same
test with full AA, and I think it’s fair to say there is a difference, but in fairness you
can spend days dialling in the perfect
settings for antialiasing, and I’m not
going to do that here.
Let’s have a
look at a model by Archvillain Games.
Again this is not a big print. It’s only
a 50mm base, and yet the detail screams
out. Some folks have actually said that they’d be worried about painting a model
printing on the D2 thanks to the
pixelation issues.
Well there
aren’t any pixelation issues guys.
There’s just good quality printing. So again, let me assure you, this print looks
excellent. There’s bags of details and
depth. I’m not much of a painter these
days, but I’ll slap on a little primer
and paint to show you what I mean.
I think we can
say that looks pretty good. So what do I think of the Anycubic Photon D2. Let’s
not beat about the bush, it’s a 5 star
printer, and credit like that doesn’t usually come so quickly from me. But I genuinely love it.
It’s not the most robust machine, with
plenty of plastic, just one linear rail
and cheap switches, but I’ve personally lived
12 months with these same issues on the
Ultra, and so far these haven’t let me down.
But of course there are other factors, like printing volume, and whilst bigger than the Ultra, the D2 still has quite a small print area. Is it good for miniatures? Of course. Is it good for jewellery? Without a doubt. There’s great precision and depth here that you truly won’t appreciate until you hold a print in your hand. But it is there.
The D2 is sharp, accurate and precise. It creates vivid detail and intensity. Should you buy one? Well that’s down to you. I honestly think that most people will be happy enough with the 35 microns the Mars 3 Pro or Anycubic Mono 4K bring us, and these are priced more favourably. But some people will always seek the best they can get – they seek accuracy, fine detail, depth and quality of image.
And until
now, at this end of the market, the
Phrozen Mini 8K has had it all its own
way. But not anymore. I suspect Phrozen will be very worried by the equally priced D2 and may even drop their prices a little. Time will tell.
Folks will ask,
is it better than the Phrozen Mini 8K?
To answer that I’d need more time, but
from the limited prints I’ve done so far,
it is at least as good and of course it has those efficiency benefits that come with DLP
technology.
So there you
have it, the Anycubic Photon D2 – surely
the best budget DLP printer in the world
right now, and a vying contender for the best detailed budget printer if there ever was
one. If you have any questions or
comments, feel free to drop me a line.
But for now,
that’s the end of this review guys, so
take care and thanks for watching.
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